An Elephant?

An Elephant?

Art
Kate Jane Villanueva
Media Staff

One bite at a time 
my mother says as it sits there 
in my kitchen 
blowing dish-soap bubbles 
through its pool-noodle nose.
Did you ever choke 
on a hotel’s indoor pool water then ask 
for an Altoid to relish 
the minty burn against your throat?
Remember that feeling; 
now add a crisp, rhythmic tickity tick 
like acrylic nails on wood.

That’s how it feels, with it sitting there: 
         You are breathless, 
         blinded by your own innovation,
         relishing the tang,
         but something tells you 
         you’ve taken too long 
         losing your breath 
         and they have gone on without you.

I know the way to make it stop — 
It’s bit 
by bit by bit but 
the thought makes me 
rub the bridge of my nose.
Why would (how can) I eat something 
so full of memories?

Full of:
         black and gold
         pastels and grays, 
         a floor that squeaked in 
                all the right places.
         A stereo that still played
               CDs and sometimes we 
               played the same one over 
               and over again 
               because we couldn’t find anything else 
               to match the evening’s beat.
         The smell of early 2000s laundry detergent —
They just don’t make it like they used to.

Because if they did I think
I’d maybe drown myself in it 
(Not literally, perhaps the word is douse) 
douse myself in it, fall behind,
rather than take that first gulping bite.
Then I would smell like
I could still wake up and 
read 100 books in a summer. 

Perhaps I could leave it here
in all its wrinkled, muddied glory
walk out the open door and slip into the grass,
a Dobsonfly in the summer.
But is the open door deep green 
like the shutters 
on a yellow house 
in the suburbs?
               Where I dropped my ballerina book 
               out the window once because my mother 
               was removing the Christmas wreaths in early January.
               And the screens were out, leaving 
               a space vulnerable for words.

The door is cranberry now, 
the space occupied by trinkets and plants and 
that thing, hulking and passive.

And I wonder: If I did it 
— took a bite — 
would it taste 
like peach yogurt, no chunks, 
in little plastic vats we’d then dip our 
paintbrushes in when we made a mess of things?
Would it get torn, mashed, swallowed, 
carried, slid, submerged, before 
dissolving into indiscernible pieces?

I’ve never understood 
the difference between “should” and “can”
But perhaps I will learn 
when I take the first bite.